In a recent discussion with a group of friends about a novel we’d all read – a contemporary thriller which they loved and I didn’t – I was told I was approaching it too much as a writer, instead of as a reader. I employed too critical an eye, analysing plot, character, motivation, style. I just wasn’t giving myself over to the story.
This was most definitely true. I couldn’t relinquish my inner author, because the book was, in my opinion, too seriously flawed. The writing got in the way of my enjoyment. Was I wrong? Maybe, for not only did all my friends enjoy the book, but I also happened to read a tweet by an editor (not the book’s editor) whose comment after finishing it was, wow!
It sounds very arrogant of me to criticise and I’m not saying my writing is any better. I try very hard to make it better, but it’s not for me to judge whether or not I succeed.
One thing though: I don’t always read books with my inner author engaged. It is possible for me to become an out and out reader. The book I’m reading right now has absolutely got me by the throat. I have abdicated all my critical awareness in the pursuit of pure enjoyment. From time to time, as I read on, I tell myself I really should stop and try to work out why it’s so damn good.
Last night, two thirds of the way through, I suddenly clocked that it was written in the present tense. Nothing too astonishing in that, except that it’s the kind of thing that, were it poorly executed, I would have noticed long before. And now that I did notice, I didn’t care. I don’t want to analyse it. When I get to the end, then, I’ll have a think about what exactly makes this book work.
I suppose that’s the effect most writers hope to achieve. You want your reader to be carried along, oblivious to method. The more critical the reader, the more gratifying it is if you can induce them to surrender their judgmental eye and immerse themselves in the experience.
Given that reading is such a personal, subjective activity, who decides if a book is good or bad? Is it just a question of taste, or is there an objective measure? I think the answer is, it’s a bit of both. Some books really are badly written. But some readers are more demanding than others. Within the realms of average to brilliant writing, there’s a lot of room for differences of opinion based on personal taste. This is a good thing, because it means there’s a lot of scope out there for all sorts of books to find an audience. Not to mention, the opportunities for some good, heated discussions.